Sans Other Onhi 3 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee and 'Kniga' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, game ui, tech branding, signage, techno, industrial, futuristic, gaming, robotic, digital aesthetic, impact display, modular system, sci-fi branding, square, angular, modular, octagonal, stencil-like.
A heavy, modular sans built from squared strokes and clipped corners, producing an octagonal, pixel-adjacent silhouette. Forms are predominantly rectilinear with sharp interior joins, flat terminals, and frequent right-angle turns; curves are largely replaced by chamfered corners. Counters tend to be squared and compact, with distinctive notch-like cut-ins on several glyphs that create a slightly stencil-like construction. The overall texture is dense and blocky, with a consistent stroke presence and a mechanical, grid-driven rhythm across caps, lowercase, and figures.
Best suited to short, high-impact settings such as headlines, posters, game titles and UI overlays, and technology-leaning brand marks where angular geometry is an asset. It can also work for signage-style labeling and interface-inspired graphics, especially when set with generous spacing to preserve its squared details.
The tone is overtly digital and engineered, reading as futuristic and utilitarian rather than friendly or organic. Its squared geometry and cut-corner detailing evoke arcade interfaces, sci-fi signage, and industrial labeling, giving text a punchy, assertive presence.
The design appears intended to translate a strict, grid-based construction into a bold display sans, prioritizing geometric consistency and a digital-industrial character over conventional humanist readability. The clipped corners and notch cuts add identity while keeping the overall system modular and repeatable.
The design relies on repeated geometric motifs (chamfers, rectangular counters, and inset notches) that help maintain cohesion at display sizes. The lowercase mirrors the caps’ constructed logic, reinforcing a uniform, tech-forward voice in mixed-case settings.