Sans Other Tezi 2 is a regular weight, narrow, low contrast, reverse italic, normal x-height font.
Keywords: headlines, posters, branding, game ui, album covers, futuristic, techno, angular, edgy, sci‑fi, display impact, sci‑fi styling, tech branding, distinct identity, geometric, monoline, faceted, tilted, sharp.
A sharply angular sans with a consistent reverse-lean and a monoline, low-contrast stroke structure. Letterforms are built from straight segments and hard corners, often forming slightly open, geometric bowls and squared counters rather than smooth curves. The construction feels faceted and schematic, with occasional asymmetric joins and cut-ins that create a jagged rhythm across words. Spacing appears fairly tight and the overall texture is crisp and mechanical, with caps that read tall and compact alongside a straightforward, mid-sized lowercase.
Best suited to display settings where its reverse slant and angular geometry can be a focal point—headlines, posters, and branding for tech, gaming, or sci‑fi themes. It can also work for interface labels, short UI strings, or packaging where a sharp, synthetic voice is desired, but it’s less appropriate for dense editorial text.
The tone is distinctly futuristic and tech-forward, evoking digital interfaces, arcade graphics, and sci‑fi titling. Its sharp geometry and backward slant give it an assertive, slightly hostile edge that reads as synthetic rather than humanist.
The design intention appears to be a stylized, techno-leaning sans that prioritizes a distinctive silhouette and a mechanical, constructed feel over conventional readability. By using straight segments, squared counters, and a consistent reverse-lean, it aims to deliver an immediately recognizable sci‑fi/digital personality in titles and short bursts of text.
The character set shown maintains a strong, consistent angle and corner language across both uppercase and lowercase, and the numerals match the same faceted, segmented logic. The reverse slant is prominent in running text and becomes part of the font’s identity, making it more expressive than neutral for long-form reading.