Sans Faceted Fuba 10 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Panton' by Fontfabric, 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, and 'Nuber' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, sports, posters, ui display, techno, futuristic, sporty, industrial, angular, modernize, add speed, signal precision, create edge, tech branding, chamfered, faceted, oblique, geometric, compact.
This is an oblique, faceted sans with chamfered corners that replace most curves with planar cuts. Strokes are monolinear and clean, with a forward-leaning skeleton and crisp terminals that create a mechanical rhythm. Counters tend to be squarish or octagonal (notably in rounded forms), and joins are sharp and structured. Proportions feel slightly compact with a steady cap height and a straightforward, utilitarian lowercase; numerals follow the same angular, cut-corner logic for a cohesive set.
Best suited to display settings such as headlines, posters, and brand marks where the angular construction can read clearly and set a contemporary tone. It also fits sports and tech-oriented graphics, packaging, and interface or HUD-style titles where a fast, engineered texture is desirable.
The overall tone is modern and engineered, with a speedy, high-performance feel that reads as technical rather than friendly. Its sharp facets and consistent slant suggest precision, efficiency, and a mildly aggressive energy often associated with sci‑fi interfaces and motorsport aesthetics.
The design appears intended to translate a geometric sans into a cut-metal, faceted aesthetic while maintaining straightforward readability. By applying consistent chamfers and an oblique stance, it aims to communicate speed and precision without relying on decorative flourishes.
The forward slant and repeated chamfers create strong directional momentum in lines of text, while the squared counters keep the texture firm and grippy. The design’s distinctive identity comes primarily from its consistent corner-cut construction across caps, lowercase, and figures.