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Free for Commercial Use

Sans Normal Budas 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'FF Cst Berlin West' by FontFont, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'EquipCondensed' by Hoftype, and 'Fact' and 'FreeSet' by ParaType (names referenced only for comparison).

Keywords: ui text, branding, editorial, signage, presentations, modern, neutral, clean, friendly, versatility, legibility, modern simplicity, neutral branding, geometric, rounded, open, straightforward, balanced.


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A clean sans with largely circular bowls and smooth, continuous curves paired with straight-sided stems. Terminals are mostly flat and squared off, while joins stay simple and uncluttered, giving the letters a crisp, contemporary finish. Proportions feel balanced with open counters and even spacing, and the lowercase shows a straightforward, readable construction with single-storey forms where expected and a clear distinction between round and vertical shapes. Numerals follow the same plainspoken geometry, with consistent widths and uncomplicated silhouettes that read well at a glance.

It suits interface copy, product pages, and general-purpose digital text where clarity and an unobtrusive tone are important. The clean uppercase and stable numerals also make it a good fit for signage, dashboards, and presentation graphics, while its neutral personality works well for contemporary branding and editorial layouts.

The overall tone is modern and matter-of-fact, with a calm, approachable neutrality. Its rounded shapes add a mild friendliness without becoming playful or quirky, keeping the voice professional and versatile.

The design appears intended as a versatile, all-purpose sans that prioritizes clarity, consistency, and modern simplicity. Its geometry and restrained detailing suggest a focus on dependable readability across both display settings and running text.

The typeface maintains a steady rhythm across uppercase and lowercase, relying on simple geometric structure rather than calligraphic modulation. Large apertures and clear interior spaces help the shapes stay legible in text, while the uppercase remains strong enough for headings and labels.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸