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Free for Commercial Use

Sans Normal Morin 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Gezart' by Ani Dimitrova, 'Muller Next' by Fontfabric, 'Bajazzo' by Schriftlabor, 'TT Norms Pro' by TypeType, and 'Clarika Pro' by Wild Edge (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, stickers, playful, friendly, punchy, retro, chunky, impact, approachability, display emphasis, retro flavor, playful branding, rounded, heavy, soft corners, compact counters, cartoonish.


Free for commercial use
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A heavy, rounded sans with broad proportions and softly squared terminals. Strokes are consistently thick with smooth curves and minimal modulation, producing dense, compact counters and a strong, blocky silhouette. The lowercase is sturdy and compact, with short ascenders/descenders and simple, closed forms; the punctuation-like dots (i/j) are large and round. Numerals are similarly robust, with prominent bowls and a slightly bouncy, uneven rhythm that reads as intentionally informal rather than rigidly geometric.

Best suited to short, high-impact text such as headlines, posters, packaging fronts, logos, and bold brand statements where the heavy silhouettes can shine. It also works well for playful signage and promotional graphics, especially when ample size and spacing preserve the counters and internal detail.

The overall tone is bold and upbeat, leaning playful and approachable. Its chunky shapes and rounded edges evoke a retro display feel—confident, friendly, and attention-seeking without sharpness or severity.

This font appears designed to deliver maximum visual impact with a warm, rounded personality, prioritizing bold presence and friendliness over delicate detail. The simplified, chunky construction suggests a display-first intent for energetic branding and retro-leaning typographic statements.

The design’s weight creates tight interior spaces in letters like a/e/s and in the numerals, which heightens impact at larger sizes while making small sizes feel dense. The rhythm across the alphabet has a subtly hand-cut, cartoon-title energy, helped by the large dots and the sturdy, simplified joins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸