Sans Superellipse Humey 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Timeout' by DearType, 'Muller Next' by Fontfabric, 'Goodrich' by Hendra Pratama, 'Gotham' by Hoefler & Co., 'Bantat' by Jipatype, and 'Allotrope' by Kostic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports graphics, poster, industrial, retro, assertive, sporty, impact, space saving, sturdy, display, compact, blocky, rounded corners, square-shouldered, high impact.
A compact, heavy sans with squared, superelliptical contours and consistently rounded corners. Strokes are thick and even, with minimal modulation and a tight, efficient use of space that keeps counters small but readable. Curves tend to resolve into rounded-rectangle shapes (notably in O/C/G and the bowls of B/P/R), while terminals and joins stay blunt and sturdy, producing a dense, block-like texture in words. The lowercase follows the same architecture, with a single-storey a and g, short ascenders/descenders relative to cap height, and straightforward, upright construction throughout.
Best suited to short, high-impact settings such as headlines, posters, signage, brand marks, packaging callouts, and sports or event graphics. It can also work for UI labels or navigation where a compact, forceful voice is desired, though long-form reading will feel dense due to the heavy stroke and small counters.
The overall tone is bold and no-nonsense—confident, compressed, and built for impact. Its rounded-square geometry gives it a slightly retro-industrial flavor, balancing toughness with a friendly softness at the corners. In paragraphs it feels urgent and attention-grabbing rather than delicate or literary.
The design appears intended to deliver maximum visual punch in a compact footprint, using rounded-rectangle construction to stay sturdy and contemporary while retaining a slightly vintage display sensibility. Its consistent stroke weight and blunt terminals emphasize clarity, strength, and immediacy at larger sizes.
The sample text shows strong word-shape consistency and a dark typographic color, with punctuation and numerals matching the same stout, squared rhythm. The design’s compactness suggests it’s optimized for tight headline settings where space is limited but presence is required.