Sans Faceted Tyjo 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Quiel' by Ardyanatypes, 'Kaneda Gothic' by Dharma Type, 'Havana Sunset' by Set Sail Studios, and 'Makeads' by Sryga (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, authoritative, athletic, poster-ready, militaristic, impact, space-saving, ruggedness, uniform texture, display legibility, condensed, faceted, octagonal, angular, blocky.
A condensed, heavy sans with sharply faceted construction: curves are replaced by clipped corners and straight segments, producing an octagonal, machined silhouette throughout. Strokes are monolinear with tight apertures and compact counters, giving the forms a dense, high-impact texture. The uppercase set reads tall and rigid, while the lowercase mirrors the same angular logic with a tall x-height and short extenders, keeping word shapes compact. Numerals follow the same chiseled geometry, with squared-off terminals and consistent corner cuts that maintain a uniform, engineered rhythm.
Best suited to headlines, posters, and prominent display settings where its compact width and faceted geometry can read as a deliberate stylistic choice. It also fits branding applications like logos, team or event marks, packaging titles, and signage that benefits from an industrial or athletic edge.
The overall tone is forceful and utilitarian, with a hard-edged, no-nonsense presence. Its faceted shapes suggest stamped metal, sports jersey lettering, or industrial signage, creating an assertive and disciplined voice suited to bold statements.
The design appears intended as a condensed, high-impact display sans that trades roundness for planar facets to create a rugged, fabricated aesthetic. Its consistent corner treatment and dense letterforms prioritize punch and uniform texture for attention-grabbing typography.
The repeated corner clipping establishes strong stylistic cohesion and makes the font feel modular and constructed rather than drawn. The narrow proportions and tight internal spaces increase intensity at larger sizes, while the dense counters can become visually tight as sizes decrease, especially in long passages.