Font Hero

Free for Commercial Use

Sans Normal Myris 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Proza' by Bureau Roffa, 'Elisar DT' by DTP Types, 'Macho' by Dada Studio, 'Ideal Sans' by Hoefler & Co., 'Mato Sans' by Picador, 'Foundry Sans' by The Foundry, and 'Monsal Gothic' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, logo, stickers, playful, quirky, retro, cartoonish, friendly, attention, whimsy, approachability, retro charm, informality, soft corners, bouncy, chunky, lively, wobbly.


Free for commercial use
Customize the font name

This typeface uses heavy, rounded sans forms with softly tapered terminals and slightly uneven, hand-cut geometry. Curves are prominent and generously inflated, while straight strokes subtly bow or lean, giving letters a gently wavy silhouette. Counters are relatively tight for the weight but stay open enough to keep key shapes recognizable, and joins are smooth rather than crisp. Overall rhythm feels intentionally irregular, with small variations in width and stroke shaping that add motion and a handmade texture.

Best suited for short, high-impact settings such as headlines, posters, playful branding, packaging, and bold social graphics. It can work well for logos and display wordmarks where a friendly, humorous voice is desired, especially at medium to large sizes.

The tone is upbeat and mischievous, leaning toward a retro, cartoon-signage feel. Its bouncy outlines and soft, chunky shapes read as approachable and informal, with an energetic presence that prioritizes character over restraint.

The design appears intended to deliver maximum personality in a compact, bold display voice—combining rounded sans construction with deliberately irregular, hand-made contours. It emphasizes a warm, fun presence that feels at home in expressive branding and attention-grabbing titles.

In the sample text, the dense color and lively outlines create strong visual impact, but the animated shaping can make long passages feel busy. The rounded construction helps maintain friendliness even at large sizes, where the wavy stroke behavior becomes a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸