Sans Normal Kegod 13 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Miura' by DSType, 'FF Good' by FontFont, and 'Dsert' by Latinotype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, punchy, sporty, retro, energetic, confident, impact, speed, display, bold branding, clarity, oblique, rounded, soft corners, compact, sturdy.
A heavy, oblique sans with broad, rounded bowls and softly squared terminals. Strokes stay largely even, creating a dense, sturdy texture with minimal modulation. Counters are moderately open and the curves feel inflated and smooth, while straight strokes lean consistently to the right for a forward-tilting rhythm. The overall color is dark and uniform, with compact interior spaces that help the letters read as bold silhouettes at display sizes.
Well suited to headlines, short statements, and promotional typography where a bold, forward-leaning voice is desirable. It can work effectively for sports and athletic branding, event posters, packaging callouts, and logo wordmarks that benefit from a compact, high-impact texture. In text blocks, it performs best at larger sizes with generous spacing to offset its dense weight.
The combination of substantial weight and pronounced slant gives the face a fast, assertive tone. Its rounded construction keeps the mood friendly rather than aggressive, evoking classic sporty and mid-century display lettering. Overall it feels energetic, attention-seeking, and built for impact.
The design appears intended to deliver a strong, modern display presence with a sense of speed and motion. Its rounded, low-modulation shapes aim for clarity and friendliness while maintaining a commanding, graphic silhouette for branding and attention-grabbing copy.
Uppercase forms are blocky and stable with rounded corners, while lowercase maintains the same robust, softened geometry for a cohesive voice. Numerals appear similarly weighty and simplified, matching the typeface’s strong, poster-like presence. In longer sample lines, the oblique angle adds momentum but also increases visual density, suggesting it’s best used where prominence matters more than extended small-size readability.