Print Gyrub 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Champion Gothic' by Hoefler & Co., 'Neue Plak' and 'Neue Plak Display' by Monotype, 'Gangsar' by Surotype, 'Agharti' by That That Creative, and 'Ggx89' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, playful, poster-like, vintage, handmade, bold, impact, personality, handmade feel, space-saving, headline strength, condensed, chunky, blunt, rubbery, bouncy.
A condensed, heavy-stroked display face with softly irregular contours that feel drawn rather than mechanically constructed. Stems and bowls are thick and mostly monoline, with subtle waviness and slightly inconsistent edge tension that creates a lively rhythm. Counters are compact and vertical stress is minimal; terminals tend to be blunt or gently rounded, keeping the texture dense and punchy. The lowercase shows simple, sturdy forms with a single-storey a and g, and the numerals follow the same blocky, compact proportions for strong, even color in lines of text.
This font is best suited to high-impact display settings such as posters, headlines, short taglines, packaging panels, and storefront-style signage. It holds up well in larger sizes where the compact counters and condensed width become a graphic advantage, and it can add character to logo wordmarks and branded titles when a friendly, hand-printed feel is desired.
The overall tone is upbeat and informal, with a handmade confidence that reads friendly rather than strict. Its tall, compressed shapes and chunky weight give it a poster and headline energy, while the slight wobble adds a casual, approachable charm.
The design appears intended to deliver maximum presence in minimal horizontal space while keeping an informal, hand-rendered personality. Its sturdy, condensed construction suggests a focus on bold messaging and quick recognition, paired with small organic inconsistencies to communicate warmth and spontaneity.
The narrow set and tight internal spacing create a strong vertical cadence, especially in all-caps. The unevenness is controlled—consistent enough for repeated use, but present enough to keep it from feeling sterile—making it effective when you want impact without a rigid, engineered look.