Sans Superellipse Olbur 10 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Acumin' by Adobe, 'Motel Xenia' by Fenotype, and 'CF Blast Gothic' by Fonts.GR (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, logotypes, industrial, condensed, confident, poster-ready, no-nonsense, space-saving impact, signage clarity, geometric consistency, modern utility, blocky, squared-round, compact, sturdy, high-impact.
A compact, heavy sans built from rounded-rectangle and superellipse shapes, with flat terminals and generously rounded corners. Strokes stay largely uniform, creating a solid, low-detail texture that reads as blocky but softened. Proportions are tightly packed with a tall lowercase structure, short extenders, and a relatively narrow overall set, giving lines a strong vertical rhythm. Counters are small and geometric; curves (C, O, S) feel squarish rather than circular, and joins remain clean and minimally modulated.
Best suited to display roles where impact and compactness matter: posters, headlines, product packaging, wayfinding, and brand marks. It can work for short UI labels or badges when a firm, condensed voice is desired, but long passages may feel heavy due to the tight counters and dense texture.
The overall tone is assertive and utilitarian, like signage and packaging type designed to be noticed quickly. Rounded corners keep it approachable, but the dense weight and compact forms make it feel tough, industrial, and direct rather than friendly or delicate.
The design appears intended to deliver maximum visual punch in limited horizontal space, using rounded-rectangle geometry to keep forms consistent and modern. It prioritizes bold clarity and a uniform rhythm over subtle detail, aiming for a practical, attention-grabbing voice in display contexts.
In text, the dense color and tight interior spaces can build a strong “ink” presence, especially at larger sizes. The numerals share the same squared-round logic, producing a cohesive set for headlines and display statistics.