Sans Superellipse Idgip 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Glober' by Fontfabric, 'Nauman Neue' by The Northern Block, 'Bree' and 'Ronnia' by TypeTogether, and 'Fuse' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, friendly, chunky, playful, confident, retro, impact, approachability, display use, clarity, soft corners, rounded, compact, bubbly, sturdy.
A heavy, rounded sans with soft-cornered geometry and broadly superelliptical curves. Counters are relatively small and apertures tend toward closed, giving letters a dense, compact color. Terminals are blunt and smoothly finished, with minimal stroke modulation and a consistent, blocky rhythm across caps, lowercase, and figures. The lowercase shows single-storey forms (notably a and g) and short, sturdy extenders; the numerals are wide, weighty, and strongly simplified for impact.
Well suited to headlines, short slogans, and bold typographic statements where a friendly, high-impact look is desired. It can work effectively for branding, packaging, retail signage, and social graphics, particularly when paired with ample spacing to keep the dense shapes open and readable.
The overall tone is warm and approachable, with a chunky, upbeat voice that feels more playful than formal. Its rounded, cushiony forms read as friendly and assertive, lending a slightly retro, poster-like personality that stays clear and confident at display sizes.
The design appears intended to deliver maximum visual weight with softened geometry—combining sturdy, simplified construction with rounded edges to create an approachable display voice. It prioritizes immediate legibility and personality over delicacy, aiming for a bold, modern-meets-retro impression in large-scale use.
The bold mass and tight inner shapes create strong presence but reduce interior whitespace, so it reads best when given generous tracking and leading. Round letters (O, Q, C, G) lean into superelliptical silhouettes, while diagonals (K, V, W, X, Y) remain stout and stable rather than sharp.