Font Hero

Free for Commercial Use

Sans Superellipse Idgon 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'American Auto' by Miller Type Foundry, 'Fact' by ParaType, and 'Plau Redonda' by Plau (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, playful, modern, chunky, impact, approachability, clarity, modernity, display, rounded, soft corners, compact, geometric, high impact.


Free for commercial use
Customize the font name

A heavy, blocky sans with superelliptical construction and consistently rounded corners. Curves are broad and smooth, and joins are softened, producing sturdy silhouettes with minimal contrast. Counters are compact and often rounded-rectangular, while terminals are flat or gently curved rather than tapered. Overall spacing reads slightly tight, with a dense rhythm that emphasizes mass and legibility at large sizes.

Best suited to display settings such as headlines, posters, brand marks, packaging, and bold UI or signage moments where immediate readability and presence matter. It can work for short bursts of text—taglines, labels, calls to action—when a dense, friendly emphasis is desired, but its weight and compact counters may feel heavy in long-form paragraphs.

The tone is confident and approachable, with a playful, poster-like bluntness. Its rounded geometry keeps the weight from feeling aggressive, leaning more toward friendly emphasis than severity. The overall impression is contemporary and energetic, suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual impact through simplified geometry, rounded-rectangle curves, and large, sturdy strokes. It prioritizes clarity and punch at large sizes while maintaining an approachable, contemporary character through softened corners and compact, uniform shapes.

Round letters like O and Q show superellipse-like bowls with tight interior counters; the Q uses a clear diagonal tail for differentiation. Uppercase forms feel stable and sign-like, while lowercase maintains the same chunky logic (single-storey a, simple g) for a cohesive, informal texture. Numerals are equally heavy and straightforward, optimized for impact rather than delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸