Sans Normal Uhdas 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'La Bisane' and 'Rega Pira' by Differentialtype, 'Margita' by Din Studio, and 'Ragik Sans' by Hurufatfont (names referenced only for comparison).
Keywords: headlines, branding, posters, ui, signage, modern, friendly, confident, clean, neutral, clarity, versatility, modernism, brand utility, screen readability, geometric, rounded, monolinear, open apertures, high legibility.
This typeface presents a clean, geometric sans structure with smooth, rounded curves and largely uniform stroke weight. Counters are generous and round, with open apertures that keep forms clear at a glance (notably in letters like C, S, and e). Terminals are mostly straight-cut and crisp, while joins stay soft and controlled, producing an even, steady texture in text. Proportions lean toward wide, stable shapes with simple constructions and minimal detailing.
It works well for headlines and display sizes where its strong, even presence reads immediately, while the open apertures and simple forms also support UI labels and short-to-medium text blocks. The sturdy numerals and straightforward shapes make it a good fit for signage, packaging, and brand systems that need clarity across varied contexts.
The overall tone is modern and approachable, combining a straightforward, utilitarian clarity with a subtle warmth from its rounded geometry. It feels confident and contemporary without becoming stylized or quirky, making it suitable for brands and interfaces that want to read as clear and friendly.
The design appears intended as a contemporary, broadly usable sans with geometric underpinnings and a warm, readable texture. Its consistent stroke behavior and uncomplicated letter construction suggest an emphasis on clarity, versatility, and dependable performance in modern graphic and digital applications.
In the sample text, the heavy color and open counters help maintain readability in dense settings, with clear differentiation between similar forms (such as O/0 and I/l) primarily through proportion and structure. Numerals appear sturdy and highly legible, matching the letterforms’ geometric rhythm and rounded bowls.