Sans Faceted Myto 7 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FS Silas Sans' by Fontsmith, 'Impara' by Hoftype, '19-PRA' by ILOTT-TYPE, 'Big Vesta' by Linotype, 'Skeena' by Microsoft Corporation, 'Organic Pro' by Positype, 'Foundry Form Sans' by The Foundry, and 'Cora' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, sturdy, quirky, retro, carved look, display impact, brand character, geometric texture, faceted, angular, blocky, compact, slab-like.
A heavy, faceted sans with planar, chamfer-like cuts that replace smooth curves and create a carved, polygonal silhouette. Strokes are thick and generally uniform, with slightly irregular contour behavior that gives each glyph a subtly hand-cut feel. Counters tend to be tight and geometric, and joints are crisp with frequent straight segments and abrupt direction changes. Proportions vary by glyph, producing an uneven, lively rhythm in text while maintaining a consistent overall weight and vertical stance.
Best suited to display settings where the bold color and angular facets can be appreciated—headlines, posters, branding marks, packaging, and punchy signage. It can work for short bursts of text or subheads, but the tight counters and rugged rhythm make it less ideal for long-form reading at small sizes.
The faceted construction and chunky color give the font a rugged, mechanical confidence with a playful edge. It reads as assertive and utilitarian, but the intentionally imperfect angles and slightly wobbly outlines add character, suggesting DIY craft, vintage display lettering, or cut-from-material signage.
The design appears intended to translate the feel of chiseled or cut lettering into a clean, sans-based structure—prioritizing strong presence, geometric personality, and a distinctive faceted texture over neutral smoothness. It aims to be instantly recognizable in branding contexts by combining blocky mass with crisp planar cuts.
Diagonal letters (like K, V, W, X, Y) show strong wedge-like terminals, while rounded forms (C, G, O, S) are expressed as multi-sided bowls rather than true arcs. Numerals follow the same carved logic, with simplified geometry and prominent facets that keep them visually consistent with the alphabet.