Sans Normal Vanuf 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Swiss 721', 'Swiss 721 Hebrew', and 'Swiss 721 WGL' by Bitstream; 'FF Schulbuch' by FontFont; and 'CG Triumvirate' and 'Helvetica Now' by Monotype (names referenced only for comparison).
Keywords: ui text, editorial, branding, packaging, signage, friendly, informal, approachable, modern, playful, everyday legibility, approachable tone, clean neutrality, modern simplicity, rounded, soft, open, monoline, humanist.
A rounded sans with soft terminals and predominantly monoline strokes, giving the letterforms a smooth, even color. Curves are generously circular (notably in C, O, G, and e), while joins and corners are slightly eased rather than sharply squared. Proportions feel balanced with open counters and clear apertures, and the lowercase shows a single-storey a and g, reinforcing a contemporary, casual construction. Overall spacing reads steady and readable, with subtly individualized shapes that keep the texture from feeling overly mechanical.
It suits product and brand communications that want clarity without feeling rigid, as well as UI copy where a gentle, human tone is desired. The open forms and even stroke weight also make it a solid choice for short editorial passages, packaging copy, and straightforward signage.
The design conveys a friendly, informal tone—clean enough for everyday use, yet warm and unpretentious. Its rounded geometry and softened endings add approachability, suggesting a relaxed, modern voice rather than a corporate or strictly utilitarian one.
The font appears designed as a versatile everyday sans that prioritizes friendliness and legibility through rounded forms, open counters, and uncomplicated constructions. Its overall system favors a contemporary, approachable aesthetic that remains clean and functional in continuous text.
Figures are simple and sturdy, matching the rounded, low-stress rhythm of the letters. The sample text shows a consistent, even typographic color across lines, with smooth curves and open shapes holding up well in longer passages.