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Sans Superellipse Udmid 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Noison' by Lone Army, 'Fact' by ParaType, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports, branding, packaging, sporty, urgent, confident, punchy, retro, impact, condensed fit, forward motion, headline emphasis, brand punch, condensed, oblique, rounded, compact, blocky.


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A compact, heavy oblique sans with rounded, superelliptic curves and tightly controlled counters. Strokes stay broadly uniform, producing a strong silhouette, while corners are softened to keep forms friendly rather than harsh. The italic slant is steady and fairly aggressive, creating forward motion and a compressed rhythm. Uppercase shapes are tall and packed, and lowercase forms show simplified construction with sturdy terminals and minimal internal detailing; numerals match the same dense, rounded-rect geometry for a cohesive set.

Best suited for headlines, posters, and display typography where speed and impact matter. It works well for sports and event graphics, brand marks, packaging callouts, and promotional copy that benefits from a compact footprint and high contrast against the page through mass rather than stroke variation.

The overall tone is energetic and assertive, with a fast, aerodynamic feel. Its dense weight and slanted stance read as sporty and promotional, evoking signage, team branding, and high-impact headlines. Rounded edges temper the intensity, keeping the voice approachable while still loud and confident.

The design appears intended to deliver maximum impact in limited horizontal space, combining a strong oblique stance with rounded superelliptic shapes for an energetic but controlled look. It prioritizes bold presence and quick recognition over fine detail, aiming at modern display use in branding and advertising contexts.

The narrow set width and strong slant create a tight horizontal texture, so spacing and line length become important for comfort at smaller sizes. The heaviest strokes and small counters favor short bursts of text, where the bold, condensed rhythm becomes a deliberate stylistic asset.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸