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Free for Commercial Use

Sans Superellipse Udbar 4 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Kelpt' and 'Kelpt Sans' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, compact, assertive, modern, space saving, high impact, dynamic emphasis, modern branding, display legibility, condensed, oblique, blocky, rounded, ink-trap-like.


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A heavy, condensed oblique sans with broad, rounded-rectangle construction and tightly enclosed counters. Strokes stay largely uniform, with softened corners and subtly tapered joins that keep the dense shapes from clogging, especially in letters like a, e, s, and g. The rhythm is compact and forward-leaning, with sturdy verticals, short crossbars, and squared terminals that read as engineered rather than calligraphic. Numerals share the same chunky, streamlined geometry, with open, simplified forms designed to hold up at display sizes.

Best suited for headlines, short blurbs, and callouts where its condensed width and strong color can maximize impact in limited space. It works well for sports and athletic branding, promotional graphics, packaging labels, and bold wayfinding or retail signage, especially when set with generous tracking or ample line spacing.

The overall tone is forceful and energetic, projecting speed and impact through its slant, compression, and saturated black presence. Its rounded, superelliptical shapes soften the aggression slightly, keeping the voice contemporary and approachable rather than harsh. The result feels promotional and performance-driven, suited to messaging that needs to look loud and decisive.

The design appears intended to deliver maximum visual punch in a compact footprint, pairing a forward-leaning stance with rounded-rectangle letterforms for a modern, high-energy display voice. The softened corners and controlled apertures suggest an effort to preserve clarity while maintaining a dense, poster-ready texture.

The combination of tight apertures and heavy weight creates strong silhouette recognition, but interior space can close up as sizes get smaller or when used in long paragraphs. The oblique angle is consistent across caps, lowercase, and figures, giving lines of text a cohesive, rushing momentum.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸