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Free for Commercial Use

Stencil Geno 5 is a regular weight, wide, monoline, upright, normal x-height font.

Keywords: posters, headlines, branding, packaging, signage, industrial, futuristic, technical, modernist, stenciled branding, industrial marking, tech styling, graphic impact, geometric, crisp, high-contrast, display, modular.


Free for commercial use
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A geometric sans with consistent stroke weight and deliberate stencil breaks that create small bridges across bowls and terminals. Forms are built from clean, near-monoline strokes with squared ends and smooth curves, producing a crisp, engineered look. Capitals read broad and stable, while the lowercase stays simple and open, maintaining clear counters despite the cut-ins and gaps. Numerals follow the same system, with the stencil interruptions integrated into the curves for a cohesive, patterned rhythm.

Best suited for display applications such as posters, headlines, event graphics, packaging, and brand marks where the stencil detailing can be appreciated. It can also work for wayfinding and signage-inspired designs, particularly in short phrases or labels that benefit from its constructed, technical voice.

The stencil cuts give the face an industrial, fabricated feel, like lettering designed for marking, labeling, or machine-applied graphics. Its clean geometry and controlled spacing also push it toward a contemporary, tech-forward tone, balancing utilitarian clarity with a stylized, constructed personality.

The design appears intended to merge a clean geometric sans foundation with a consistent stencil logic, yielding letterforms that feel manufactured and repeatable. The goal seems to be a modern, industrial display face that remains legible while adding a distinctive, systematized texture through its bridges and breaks.

The repeated placement of breaks—often through rounded shapes and at key joins—creates a distinctive beat across text, especially in letters like O/Q and other curved forms. This makes the typeface most visually characteristic at larger sizes, where the bridges read as intentional design rather than incidental gaps.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸