Stencil Geso 2 is a regular weight, wide, low contrast, reverse italic, normal x-height font.
Keywords: posters, headlines, branding, signage, packaging, industrial, utilitarian, mechanical, retro, technical, stencil texture, industrial voice, display impact, systematic breaks, rounded, monoline, segmented, geometric, slanted.
A monoline, rounded sans built from segmented strokes with consistent stencil breaks placed through verticals, bowls, and crossbars. Terminals are softly curved rather than sharply cut, while the letterforms lean slightly, giving the overall rhythm a forward-tilting, kinetic feel. Counters are generally open and circular, and many glyphs show deliberate interruptions that read as structural bridges, creating a repeatable pattern across capitals, lowercase, and numerals. The figures echo the same modular construction, with clear breaks in 0, 3, 6, 8, and 9 and a simplified, graphic 7.
Best suited for display applications where the stencil texture can be appreciated at larger sizes—posters, headlines, logos, labels, and themed signage. It can also work for short UI or wayfinding accents when a technical, fabricated aesthetic is desired, but the broken strokes suggest avoiding long, small-size body text.
The tone feels industrial and engineered, like markings on equipment, packaging, or signage where a rugged, fabricated look is desired. The repeated gaps add a coded, technical flavor that can read both retro-futuristic and workshop-practical depending on context. Its slanted stance and bold silhouettes give it an energetic, display-forward personality.
The design appears intended to merge a clean geometric sans skeleton with systematic stencil bridging, producing a consistent broken-stroke motif across the set. The slight slant and rounded corners suggest a goal of adding motion and friendliness to an otherwise industrial, constructed voice.
Spacing and shapes are designed to keep the stencil interruptions visually consistent, so the breaks become a defining texture rather than isolated gimmicks. The rounded geometry softens the otherwise mechanical construction, making the font feel approachable while still distinctly utilitarian.