Sans Superellipse Gimis 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Noteworthy' by Gerald Gallo, 'EFCO Growers' by Ilham Herry, 'Funny Toons' by Indian Summer Studio, 'Plau' by Plau, and 'Robolt' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, retro, friendly, playful, sturdy, techy, impact, geometric unity, display clarity, friendly boldness, rounded, blocky, soft corners, geometric, compact.
A heavy, geometric sans with rounded-rectangle construction throughout. Strokes are consistently thick with largely uniform weight, and corners are softened into squarish curves rather than true circles. Counters tend to be tight and rectangular, terminals are blunt, and many joins feel carved out of a single block, giving the letters a compact, sturdy silhouette. The lowercase follows the same modular logic, with simple, upright forms and distinctive, squared bowls and apertures; numerals match the blocky rhythm and rounded-corner geometry.
Best suited to headlines, posters, branding, and packaging where a bold, rounded-rect geometry can carry personality at a glance. It also works well for signage and UI callouts at larger sizes, where the compact shapes and consistent rounding remain clear and distinctive.
The overall tone is bold and approachable, combining a retro display feel with a clean, modern geometric discipline. Its softened corners keep the weight from feeling harsh, while the compact shapes read as confident and slightly playful, with a subtle techno signage character.
The font appears designed to deliver maximum impact with a cohesive superelliptic/rounded-rectangle motif, creating a memorable, blocky voice for display typography. Its uniform stroke weight and softened corners suggest an intent to feel both robust and friendly while maintaining a clean geometric structure.
The design emphasizes strong silhouettes and consistent rounding, creating a cohesive, modular texture across both cases and figures. In dense text, the tight counters and heavy mass produce a dark color that favors short lines and larger sizes over small, extended reading.