Sans Superellipse Omduk 7 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Perfume' by Fenotype and 'Antiquel' by Lemonthe (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, utilitarian, modern, industrial, no-nonsense, space saving, high impact, systematic, clarity, modern utility, condensed, geometric, rounded, high-contrast counters, compact spacing.
This typeface is a compact, condensed sans with strongly geometric construction and rounded-rectangle (superellipse) curves throughout. Strokes are consistently thick and even, with squared terminals and softly rounded corners that keep the forms sturdy rather than sharp. Counters tend to be tight and vertical, creating a dense rhythm; round letters like O/Q read as tall, squarish ovals, while diagonals (A, V, W, X) are straight and taut. Lowercase forms are similarly compact with short ascenders/descenders, and the numerals follow the same narrow, blocky proportions for a uniform, disciplined texture.
It performs best in short to medium-length text where a compact footprint and strong impact are needed—headlines, posters, wayfinding, packaging, and bold brand systems. The condensed proportions make it useful when horizontal space is limited while still maintaining a firm, high-visibility presence.
The overall tone feels functional and industrial—confident, direct, and optimized for clarity at a glance. Its condensed stance and heavy, even strokes give it a strong “label/sign” presence that reads contemporary and purposeful rather than playful.
The design appears intended to deliver a space-efficient, high-impact sans that stays consistent and legible through strict geometry and rounded-rectangle curves. It aims for a modern, system-like voice suited to contemporary graphic environments where clarity and density matter.
The design relies on simplified geometry and controlled apertures, which produces a tight, efficient color in paragraphs and a bold, poster-like silhouette in larger settings. The Q is notably distinctive, using an internal tail/structure that reinforces the font’s engineered, modular character.