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Free for Commercial Use

Sans Superellipse Orgar 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Kuunari' and 'Kuunari Rounded' by Melvastype (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, condensed, assertive, modern, utilitarian, space saving, high impact, signage clarity, modern geometry, blocky, compact, rounded corners, uniform strokes, flat terminals.


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A compact, heavy sans with tightly set proportions and a strong vertical stance. Strokes are uniformly thick with minimal modulation, and many curves resolve into rounded-rectangle (superellipse-like) counters and bowls rather than true circles. Terminals are predominantly flat and squared off, with subtly softened corners that keep the shapes from feeling brittle. The overall rhythm is dense and efficient, with short apertures and sturdy joins that read clearly at display sizes.

Best suited to bold headlines, posters, and brand marks that need a dense, high-impact texture in limited horizontal space. It works well for sports and event graphics, industrial or tech-forward packaging, and signage where strong silhouettes matter more than delicate detail. In longer passages it will feel intense, so it’s most effective for short bursts of copy and emphasis.

The tone is forceful and pragmatic, leaning toward an industrial, signage-like voice. Its compressed width and chunky silhouettes create a sense of urgency and impact, while the rounded corners add a controlled, contemporary friendliness. Overall it feels confident, no-nonsense, and built for attention.

The design appears intended to deliver maximum presence in a condensed footprint, using sturdy low-modulation strokes and rounded-rectangle forms for a modern, engineered feel. Its geometry suggests a focus on consistency and punchy legibility in large sizes, with softened corners to keep the heavy weight visually controlled.

Round letters such as O/Q and bowls in B/P/R appear more squared and compact than fully circular, reinforcing the superelliptical construction. The lowercase maintains a high-visibility profile with large internal spaces where possible, but generally favors closed, sturdy forms over airy openness. Numerals match the letterforms’ blocky geometry, supporting consistent texture across mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸