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Free for Commercial Use

Serif Other Vuly 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio and 'Alterous Text' by ZetDesign (names referenced only for comparison).

Keywords: headlines, posters, logotypes, sports branding, packaging, gothic, collegiate, retro, authoritative, dramatic, impact, heritage, display, branding, inscriptional, beveled, chamfered, ink-trap, angular, blocky.


Free for commercial use
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This typeface uses heavy, angular letterforms with pronounced chamfered corners and wedge-like serifs that feel carved rather than written. Strokes are mostly monolinear, with crisp interior joins and small ink-trap-like notches at some corners that add bite and improve separation in tight angles. Uppercase forms are compact and sturdy, while the lowercase keeps the same faceted construction, producing a consistent, engineered texture in text. Numerals follow the same squared, cut-corner logic, giving the set a cohesive, display-forward rhythm.

Best suited to headlines, mastheads, and short statements where its angular detailing can be appreciated at size. It also works well for team or event branding, badges, and packaging accents that want a traditional yet hard-edged voice. For paragraphs, it performs more comfortably as a display text face with extra spacing and moderate line lengths.

The overall tone is old-world and emphatic, blending blackletter-inspired sharpness with a sporty, collegiate punch. It reads as assertive and ceremonial, with a distinctly vintage, poster-like presence that suggests tradition and impact rather than softness or minimalism.

The design appears intended to deliver a commanding, historic flavor through faceted construction and wedge serifs, echoing inscriptional and gothic cues in a modern, reproducible display style. Its consistent cut-corner system suggests a focus on strong silhouettes and high-impact readability in branding and titling contexts.

The shapes favor straight segments and clipped curves, so counters and bowls appear squarish and tightly controlled. In longer settings the strong verticals and repeated corner cuts create a dense, uniform color that benefits from generous tracking and clear hierarchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸