Font Hero

Free for Commercial Use

Sans Other Akdi 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Midnight Sans' by Colophon Foundry, 'Sztos' by Machalski, 'Amsi Grotesk' by Stawix, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, comics, playful, retro, cartoon, quirky, punchy, attention grabbing, playfulness, retro flavor, display impact, brand character, chunky, condensed, bouncy, soft corners, irregular.


Free for commercial use
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This is a chunky, condensed sans with heavy strokes and gently irregular contours that give the letters a hand-cut, slightly wavy silhouette. Terminals are mostly flat but subtly curved or notched, producing a lively rhythm rather than a rigid geometric feel. Counters are compact and sometimes pinched, and interior shapes lean toward rounded rectangles, helping the dense weight stay legible. The overall spacing and widths vary a bit by glyph, adding a buoyant, informal texture across words and lines.

Best suited for short, prominent settings like posters, headlines, and hero phrases where its chunky personality can read clearly. It also fits playful branding, packaging, and logo wordmarks that want a retro, cartoon-leaning presence. For longer passages, it works more as occasional emphasis than continuous text due to its dense color and compact counters.

The font reads as energetic and friendly, with a retro display attitude reminiscent of mid-century posters, comics, and playful packaging. Its uneven edges and compact forms create a humorous, approachable tone that feels more fun than formal. In text, it produces a bold, attention-grabbing voice with a distinctly characterful bounce.

The design appears intended to deliver maximum impact with an informal, whimsical voice—combining condensed proportions with lively, hand-shaped irregularities to feel bold and animated in display settings. It prioritizes character and immediacy over strict uniformity, making it a strong choice when personality is the goal.

The numerals and capitals carry the same sculpted, slightly asymmetrical treatment, keeping a consistent display personality across the set. At larger sizes the small nicks, pinches, and waviness become part of the charm, while at very small sizes the tight counters and heavy mass can make details feel crowded.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸