Sans Faceted Asdy 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bunuelo Clean Pro' by Buntype, 'Miura' by DSType, 'FF Good' by FontFont, 'Whitney' by Hoefler & Co., 'Herchey' by Ilham Herry, and 'Corpus Gothic' by T-26 (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, logos, industrial, athletic, poster-ready, assertive, retro, maximum impact, compact display, faceted character, signage clarity, faceted, angular, blocky, compressed, all-caps friendly.
A heavy, compressed display sans built from straight strokes and clipped corners, replacing curves with planar facets. Counters tend toward squared or octagonal shapes, and joins create a chiseled, cut-paper feel rather than smooth geometry. Stroke weight stays visually consistent, with short horizontal terminals and angular curves on letters like C, S, and G. The overall rhythm is compact and punchy, with sturdy verticals, tight spacing tendencies, and numerals that echo the same chamfered construction.
Best suited to short, high-impact settings such as posters, headlines, merch graphics, team or event branding, and bold packaging callouts. It also works well for logo wordmarks and signage where a compact footprint and hard-edged presence are desired.
The faceted construction and dense silhouettes give the face a tough, utilitarian tone that reads as sporty and industrial. Its sharp edges and compact stance project urgency and impact, while the subtly irregular faceting adds a retro, poster-era flavor.
The design appears intended to deliver maximum impact in a tight width by using bold, block-like forms and chamfered corners to create a distinctive faceted voice. Its construction emphasizes legibility through simple silhouettes while adding character through consistent angular carving.
Uppercase forms are especially uniform and sign-like, with simplified, modular structures (notably the squared O/Q and angular bowls). Lowercase keeps the same cut-corner logic, producing a consistent texture in longer lines, though the strong geometry remains most convincing at display sizes where the facets can be appreciated.