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Free for Commercial Use

Sans Normal Ofdej 4 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Abtera' by Come Type, 'Goga' by Narrow Type, 'Malnor Sans' by Sikifonts, and 'Atyp' and 'Atyp BL' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, utilitarian, impact, clarity, modernity, efficiency, geometric, rounded, blocky, compact, solid.


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A heavy, geometric sans with broad, rounded counters and smooth curves paired with flat, straight terminals. The strokes are consistently thick and even, producing dense letterforms with minimal modulation and a strong typographic “color.” Proportions lean wide with generous bowls (notably in O/C/G and the lowercase o/e), while the lowercase maintains a tall x-height and compact ascenders/descenders, keeping lines visually tight. Details such as the single-storey a and g, the rounded, closed apertures, and sturdy numerals reinforce a clean, contemporary construction.

Best suited to display settings where high impact and quick recognition are priorities—headlines, posters, brand marks, packaging, and short UI or signage labels. It also works well for bold editorial callouts and promotional copy, especially in layouts that benefit from dense, uniform typographic blocks.

The font reads as bold and straightforward, projecting confidence and clarity with a friendly, approachable warmth from its rounded geometry. Its solid silhouettes and tight spacing feel contemporary and practical, with an attention-grabbing, poster-like energy that remains controlled rather than expressive.

The design appears intended as a modern, high-impact sans built for immediacy and presence, using geometric rounds and uniform stroke weight to maximize legibility and visual authority at larger sizes. Its tall lowercase and compact vertical proportions suggest an emphasis on efficient, space-conscious set text in bold display contexts.

Round forms stay very circular, giving the type a consistent, engineered rhythm across uppercase, lowercase, and figures. The punctuation and dots appear robust at display sizes, and the overall spacing in the sample text supports compact, high-impact blocks of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸