Sans Normal Abdem 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Binoma' and 'Hando' by Eko Bimantara, 'CF Mod Grotesk' by Fonts.GR, 'RF Dewi' by Russian Fonts, 'Ordina' by Schriftlabor, and 'Arbeit Pro' and 'Few Grotesk' by Studio Few (names referenced only for comparison).
Keywords: ui text, branding, headlines, editorial, signage, modern, clean, dynamic, friendly, neutral, emphasis, clarity, contemporary tone, readability, humanist, rounded, oblique, open apertures, smooth curves.
A clean oblique sans with smooth, rounded construction and softly squared terminals. Curves are even and consistent, with open counters and generous apertures that keep letters readable in running text. The slant is steady across caps, lowercase, and numerals, giving the design a continuous forward rhythm without introducing sharp calligraphic contrast. Uppercase forms are straightforward and geometric-leaning, while the lowercase shows humanist cues (notably in the single-storey a and g) that soften the overall texture.
Works well for UI labels, product branding, and editorial typography where a clean sans is needed but a slight slant adds emphasis and momentum. It also suits headings and short-to-medium passages, maintaining clarity while offering a distinct, contemporary voice compared with upright sans choices.
The overall tone feels modern and approachable, combining a functional, contemporary sans voice with a mild sense of motion from the oblique posture. It reads as confident and businesslike rather than decorative, suitable for interfaces and editorial settings that want clarity with a touch of energy.
Likely designed as an oblique companion style that preserves the neutrality and legibility of a modern sans while adding a consistent forward-leaning rhythm for emphasis in text and display use.
Spacing appears balanced and consistent, producing an even typographic color in paragraphs. Numerals are lining and share the same oblique angle, with clear, simple shapes that match the letterforms’ rounded geometry.