Print Gomig 1 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Bloeien' by Aidan Cooke, 'Mega' by Blaze Type, 'Hyugos' by Fateh.Lab, 'Cimo' by Monotype, 'Brave Face' by Palmer Type Company, and 'Hype vol 2' by Positype (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, retro, punchy, playful, poster-like, quirky, impact, compactness, handmade feel, display clarity, retro flavor, condensed, chunky, rounded terminals, ink-like, irregular.
A condensed, heavy display face with monoline-like strokes and softly rounded terminals. Forms are built from narrow vertical stems with small bowls and tight apertures, creating a compact texture and strong vertical rhythm. Edges feel slightly irregular and hand-shaped rather than mechanically perfect, with subtle wobble and taper in places that reads as inked or drawn. Counters are small and the overall spacing is tight, producing dense, attention-grabbing word shapes in both uppercase and lowercase.
Well suited to posters, headlines, and short promotional lines where a tall, compact footprint is useful and impact is prioritized. It can work effectively on packaging, labels, and logo wordmarks that want a bold, handmade feel, especially at medium-to-large sizes where the tight counters remain clear.
The font conveys a bold, retro-leaning energy that feels informal and upbeat. Its narrow, chunky silhouettes and handmade irregularities give it a quirky confidence suited to expressive, human-forward messaging rather than quiet neutrality.
The design appears intended to deliver maximum impact in a condensed width while keeping a friendly, hand-drawn character. By combining heavy weight, tight internal spaces, and slightly imperfect contours, it aims for memorable display typography with a casual, print-like voice.
In continuous text the condensed proportions and small counters create a dark, compact color, so it performs best when given generous leading and some tracking. The uppercase set appears particularly poster-oriented, while the lowercase retains the same tall, compressed stance for consistent rhythm across mixed-case settings.