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Free for Commercial Use

Stencil Esfu 14 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Paramilitary JNL' by Jeff Levine and 'PF Eef' by Parachute (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, military, utilitarian, authoritative, mechanical, impact, marking, utility, stencil texture, condensed display, condensed, high-contrast cuts, hard-edged, geometric, blocky.


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A condensed, heavy sans with a consistent stroke thickness and hard, squared terminals. The defining feature is a vertical stencil break running through many glyphs, creating clear bridges and split counters while maintaining strong overall silhouettes. Curves are simplified into sturdy, geometric forms, and the spacing feels compact, producing a tight rhythm in words and lines. Numerals and capitals read particularly solid and sign-like, with cut details that stay uniform across the set.

Well-suited to large-scale display uses such as posters, headlines, and bold branding moments where the stencil construction is meant to be seen. It also fits signage, labeling, packaging, and wayfinding-inspired graphics that benefit from an industrial, marked-on look. At smaller sizes, giving it extra spacing helps preserve readability of the internal breaks.

The overall tone is functional and no-nonsense, evoking industrial labeling and equipment marking. The repeated cut structure adds a mechanical, engineered feel, giving the face an authoritative, regulated presence. Its compact proportions and high visual weight contribute to a sense of urgency and impact.

The design appears intended to deliver a strong, compact display voice with a clear stencil identity, prioritizing robust silhouettes and repeatable cut mechanics. The consistent bridges and simplified geometry suggest a focus on durable, utilitarian aesthetics and high-impact typographic texture.

In longer text, the central breaks become a prominent texture, especially in rounded letters and figures, where the split counters can draw attention. The condensed build and tight internal shapes suggest it works best when set with ample tracking and generous line spacing for clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸