Sans Superellipse Ograg 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Masifa' and 'Masifa Rounded' by Hurufatfont and 'Entropia' by Slava Antipov (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, sporty, contemporary, friendly, punchy, headline impact, space saving, branding presence, signage clarity, poster utility, blunt terminals, compact counters, dense color, rounded corners, soft-square curves.
A compact, condensed sans with heavy strokes and softly squared curves throughout. Counters are relatively small and apertures are tight, creating dense, dark texture in words and lines. Terminals are blunt and rounded, corners are consistently softened, and curves read as superelliptical rather than circular, giving the design a cohesive, engineered rhythm. The lowercase is compact and sturdy, with single-storey forms where visible and a generally uniform stroke treatment that emphasizes solidity.
Best suited to headlines, posters, packaging, sports and entertainment branding, and attention-grabbing UI labels where compact width and strong color are advantages. It also works well for signage and short-form messaging that needs to stay legible at a glance. For long paragraphs, the dense texture and tight apertures may feel heavy, so it’s most effective in display roles and large sizes.
This typeface projects a forceful, assertive tone with a compressed, poster-like presence. Its rounded-rectangle curves keep the mood friendly and contemporary rather than harsh, balancing impact with approachability. Overall it feels confident, sporty, and built for attention at a distance.
The design appears intended to deliver maximum impact in minimal horizontal space, using a condensed stance and heavy weight to create strong word shapes. The rounded-square construction suggests a deliberate, modern geometry aimed at consistent texture and robust reproduction. It favors bold readability and graphic presence over delicate detail.
Uppercase forms are tall and uniform with squared-off, rounded corners, while numerals follow the same compact, blocky logic for a consistent display palette. The overall rhythm is tight and vertical, producing strong, dark lines of text with a distinctly modern, constructed feel.