Sans Superellipse Ogkun 1 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection and 'Bebas Neue Pro' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, utilitarian, impactful, modern, space saving, high impact, modern utility, geometric warmth, rounded corners, blocky, compact, high x-height, softened.
A compact, heavy sans with tall proportions and rounded-rectangle construction throughout. Strokes are consistently thick with minimal modulation, and most terminals resolve into softened corners rather than sharp cuts, giving the forms a sturdy but approachable edge. Counters are relatively tight and often squarish, and the overall rhythm is vertical and efficient, with short apertures and compact internal spaces that keep the texture dense in text. The numerals and uppercase share the same blocky, rounded logic, producing a cohesive, engineered look.
Well suited to headlines, posters, and short blocks of copy where dense, high-impact letterforms are desirable. Its compact footprint and sturdy shapes also fit signage, labels, packaging, and brand marks that need to feel modern and industrial while remaining approachable.
The font conveys a no-nonsense, industrial tone with a friendly softening from its rounded corners. It feels assertive and contemporary, leaning toward functional signage and practical communication rather than elegance or delicacy. The dense color on the page reads confident and attention-forward.
Likely designed to deliver a condensed, space-efficient voice with maximum visual weight and a controlled, geometric construction. The consistent rounding suggests an intention to balance hard, engineered proportions with a softer, more contemporary finish for display-oriented typography.
In running text the tight counters and condensed build create strong word shapes and a dark typographic color, especially at larger sizes. The superelliptical rounding is consistent across curves and joins, which helps unify otherwise geometric, rectangular forms.