Sans Normal Pomud 3 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, children’s, playful, quirky, retro, whimsical, chunky, display impact, brand voice, novelty styling, texture detail, rounded, blobby, soft corners, ink-trap feel, cutout counters.
A heavy, rounded sans with chunky strokes and softened corners, built from broad curves and simple verticals. Many glyphs feature distinctive wedge-like notches and angular cut-ins that create an ink-trap/cutout effect, giving counters an irregular, faceted look. The overall rhythm is lively and slightly uneven, with mixed curve geometry and occasional asymmetry that reads intentional rather than accidental. Numerals and caps share the same robust mass and sculpted interior shapes, maintaining a consistent silhouette-driven style at display sizes.
Best suited to headlines, posters, logos, and short branding phrases where the sculpted counters can read clearly. It can also work well on playful packaging, event graphics, or children’s/entertainment-oriented materials. For long passages or small sizes, the strong internal cutouts may reduce clarity, so using larger point sizes and generous tracking will help.
The font conveys a playful, offbeat personality with a retro-cartoon energy. Its carved-in details and rounded bulk feel friendly and informal, suggesting hand-shaped signage or novelty lettering rather than neutral text typography. The result is attention-grabbing and characterful, leaning more whimsical than corporate.
The design appears intended to deliver a bold, friendly display voice by combining rounded, approachable silhouettes with distinctive cut-in details that add texture and memorability. The repeated notching motif suggests a deliberate effort to create a signature look that stands out in branding and titling contexts.
Spacing appears fairly open for such a heavy design, helping keep letterforms distinct despite the decorative cut-ins. The notched joins and counters become a defining motif across uppercase, lowercase, and figures, producing a cohesive “stamped” or “carved” texture that is most legible when set larger.