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Sans Normal Lobay 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Zwo' by FontFont, 'CamingoDos' by Jan Fromm, 'Akagi' by Positype, 'Akwe Pro' by ROHH, 'June Pro' by Schriftlabor, and 'Accura' by dooType (names referenced only for comparison).

Keywords: headlines, posters, sportswear, branding, packaging, sporty, dynamic, friendly, confident, playful, impact, momentum, approachability, modern branding, display clarity, oblique, rounded, soft corners, large counters, compact apertures.


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A heavy, oblique sans with rounded, softly squared curves and a compact, forward-leaning stance. Strokes stay essentially monoline, with thick joins and sturdy terminals that read as slightly blunted rather than sharply cut. Bowls and counters are generous for the weight, giving letters like O, P, R, and e an open, buoyant interior, while diagonals (A, V, W, X, Y, Z) are broad and stable. Lowercase forms are simple and robust, with a single-storey a and g, a short-armed r, and an e with a wide, open eye; the i/j dots are round and prominent. Numerals are equally bold and rounded, with a smooth, circular 0 and a compact 3 and 5 that keep the same chunky rhythm.

Best suited to short, high-impact settings such as headlines, posters, large signage, brand marks, and packaging where a bold, energetic voice is needed. It also fits sports and lifestyle applications thanks to its dynamic slant and sturdy letterforms, and can work for UI or labels when set large enough for the dense weight.

The overall tone is energetic and upbeat, with a sporty, forward-moving feel driven by the oblique slant and hefty color. Rounded shaping keeps it approachable and friendly rather than aggressive, making it feel modern, casual, and confident.

This design appears intended to deliver maximum impact with a friendly, contemporary voice: a bold oblique sans that emphasizes momentum and clarity through simplified, rounded construction and consistent stroke strength.

The heavy weight produces strong texture and tight internal spacing, so it performs best when given a bit of breathing room (slightly increased tracking or generous line spacing). The wide, simplified shapes keep recognition strong in headlines, while the consistent curves help maintain a cohesive, branded look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸