Sans Other Agzo 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Billboard' by Fenotype, and 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, logotypes, stickers, playful, retro, chunky, friendly, quirky, impact, personality, display, signage, brandable, rounded, soft corners, stencil-like, notched, compact.
A heavy, chunky sans with rounded outer curves and softly blunted corners, paired with distinctive notches and small cut-ins at terminals. Strokes remain broadly uniform, creating dense silhouettes with minimal modulation and a tight interior counter feel. The forms are compact and slightly condensed in places, with energetic, irregular corner detailing that gives letters a subtly cut or stamped look. Lowercase is large relative to capitals, and the numerals share the same blocky, high-impact construction.
Best suited to short, high-impact settings such as headlines, poster typography, packaging callouts, and bold brand marks where the notched detailing can be appreciated. It can also work well for playful merchandise graphics or punchy editorial openers, especially at medium-to-large sizes.
The overall tone is bold and approachable, mixing a playful warmth with a rugged, poster-ready attitude. The notched terminals and compact counters add a quirky, slightly vintage flavor—suggesting hand-cut signage or stamped display lettering rather than a neutral text voice.
The design appears intended to deliver maximum visual impact with a friendly, rounded silhouette, while the notched terminal details add a distinctive, crafted personality. Its large lowercase and dense texture suggest a display-first approach aimed at attention-grabbing, characterful typography.
The font’s signature is its repeated corner cut geometry: small inward bites and squared-off joins that create a consistent “notched” rhythm across uppercase, lowercase, and figures. In longer sample text, the dense weight and tight counters reduce whitespace, reinforcing its suitability as a headline/display face rather than extended reading.