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Free for Commercial Use

Sans Other Agzo 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Billboard' by Fenotype, 'Asket' by Glen Jan, 'Knicknack' by Great Scott, 'MC Inkoil' by Maulana Creative, and 'Palo' by TypeUnion (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, retro, friendly, cartoony, impact, playfulness, retro flavor, graphic silhouette, branding, rounded, chamfered, bulky, soft corners, bouncy.


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A heavy, chunky sans with broad, compact letterforms and a distinctly sculpted outline. Strokes are largely uniform, with rounded curves paired with consistent chamfered corners that create a faceted, cut-out look. Counters are relatively small and often circular or oval, while joins and terminals tend toward blunt, blocky finishes. The overall rhythm is bouncy and irregular in a controlled way, with wide, weighty shapes and generous black area that favors display sizes.

Best suited for short, prominent text such as posters, event headlines, brand marks, packaging callouts, and punchy social graphics where the thick shapes can breathe. It will also work well for playful signage and merchandise-style applications that benefit from a bold, cartoon-forward voice.

The font reads as playful and attention-grabbing, with a retro cartoon energy. Its soft rounding and clipped corners keep it friendly rather than aggressive, giving headlines a bold, humorous tone that feels suited to entertainment and youth-oriented messaging.

Likely designed to deliver maximum visual impact with a friendly, characterful silhouette. The combination of rounded forms and clipped corners suggests an intention to feel both soft and graphic—like a bold display sans with a distinctive, stamped or cut-out personality.

The chamfered treatment is applied consistently across curves and straight segments, producing a distinctive “notched” silhouette (especially noticeable on diagonals and at outer corners). Numerals follow the same chunky construction and feel built for impact rather than fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸