Sans Superellipse Ibrin 4 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Plasma' by Corradine Fonts, 'Siro' by Dharma Type, 'Futo Sans' by HB Font, 'Univia Pro' by Mostardesign, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, blocky, sporty, industrial, playful, confident, high impact, modern branding, strong signage, athletic display, friendly geometry, rounded corners, squared bowls, stencil-like, compact apertures, heavy terminals.
A heavy, geometric sans built from squared-off, superelliptical shapes with consistently rounded corners. Strokes are thick and even, with tight interior counters and small apertures that create a dense, compact texture. Curves resolve into flattened bowls and rounded-rectangle ovals (notably in O, Q, and 0), while joins and terminals stay blunt and strongly horizontal/vertical. The lowercase is broad with a large x-height and short ascenders/descenders, reinforcing a solid, poster-like rhythm; punctuation in the sample shows similarly chunky, rectangular detailing.
Best suited to display contexts where mass and silhouette matter—headlines, posters, product packaging, and punchy brand marks. It also fits sports, fitness, and esports-style graphics, as well as UI moments that need bold labels or section headers. For long text or small sizes, its tight counters suggest using generous tracking and line spacing.
The overall tone is bold and assertive with a utilitarian, contemporary edge. Its softened corners keep it approachable, giving it a friendly, game-like energy rather than a purely austere technical feel. The dense counters and squared curves add a tough, engineered character that reads as confident and impact-first.
The design appears intended to deliver maximum visual impact through simplified, rounded-rectangular construction and a tightly controlled, monoline structure. It prioritizes a strong, modern presence with softened geometry that keeps the tone energetic and approachable for branding and display typography.
Letterforms lean on simplified geometry: C and G have squared openings, S is built from stacked, rounded-rectangular turns, and the numerals follow the same boxy logic (especially 2, 3, 5, and 8). The heavy weight and compact internal spaces can reduce clarity at smaller sizes, but the distinctive silhouette holds up well when set large.