Sans Normal Odgir 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'EquipCondensed' by Hoftype, 'Avenir Next Paneuropean' by Linotype, 'Nusara' by Locomotype, 'Brice' by Studio Sun, 'Aksen' by Tokotype, and 'Barkanon' by wearecolt (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, logos, playful, punchy, friendly, retro, chunky, display impact, approachability, retro flavor, brand voice, cheerful tone, rounded, soft corners, compact, bouncy, high impact.
A heavy, rounded sans with compact proportions and softly sculpted curves. Strokes are broadly even, with subtly flared joins and gently tapered terminals that create a lively, slightly irregular rhythm. Counters are relatively small for the weight, and the overall geometry favors circular bowls and stout verticals, keeping silhouettes dense and highly legible at display sizes. Numerals and capitals read as sturdy and simplified, while the lowercase maintains a consistent, approachable softness.
Best suited to headlines, posters, and brand statements where strong presence and friendliness are needed. It works well for packaging, labels, and youth-oriented or casual retail identities, and can hold up in short blocks of text when set with generous size and line spacing. For UI or long-form reading, it will be most effective as an accent style rather than a primary text face.
The face conveys a cheerful, energetic tone with a hint of vintage signage and cartoon-like warmth. Its dense weight and rounded shaping feel inviting rather than severe, making the texture read as bold and upbeat. The slight bounce in forms adds personality and motion without tipping into novelty lettering.
The design appears intended as a characterful, high-impact sans that stays approachable through rounded forms and subtle shaping. It prioritizes bold readability and a playful, retro-leaning voice for display typography and brand-forward applications.
Round letters like O, Q, and C show strong circular construction, while strokes on diagonals (V, W, X) stay thick and stable. Apertures are moderate, and the dark color builds quickly in text, producing a strong, poster-like presence even in short lines. Spacing appears designed for impact, with tight internal counters balanced by clear outer shapes.