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Free for Commercial Use

Sans Normal Obmad 4 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'ITC Officina Display' by ITC, 'Fact' by ParaType, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Nuno' by Type.p, 'LFT Etica' by TypeTogether, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, playful, punchy, retro, approachable, impact, approachability, display, retro flavor, rounded, soft corners, bulky, compact, heavy terminals.


Free for commercial use
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A chunky, rounded sans with heavy, low-contrast strokes and softly squared curves. Counters are relatively small, creating dense, ink-forward silhouettes, while apertures stay fairly open for a bold face. The drawing shows slight, lively irregularity in curves and joins, giving the letterforms a hand-cut or poster-like sturdiness rather than a clinical geometric finish. Uppercase shapes are compact and blocky; lowercase forms have a high x-height and stout proportions, with simple, sturdy numerals that match the overall mass and rhythm.

Best suited to big, attention-grabbing applications such as headlines, posters, and short brand statements where its heavy silhouettes can do the work. It also fits packaging, labels, and storefront-style signage that benefits from a warm, retro-leaning bold. For longer passages, it will perform best at larger sizes with generous leading and careful tracking.

The font reads as upbeat and approachable, with a cheerful, poster-ready presence. Its rounded heft and bouncy shapes evoke mid-century signage and casual display typography, leaning more friendly than formal while still feeling confident and emphatic.

The design appears aimed at delivering maximum impact with a friendly, rounded tone—prioritizing bold presence, simple geometry, and consistent weight for display use. Its compact counters and sturdy construction suggest an intention to hold up in loud, high-contrast contexts like posters and branding.

In text settings the strong weight produces tight internal whitespace, so spacing and line breaks become important for comfortable reading. The ampersand and punctuation inherit the same bold, simplified construction, supporting a consistent, headline-oriented voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸