Sans Superellipse Gimas 9 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Bladi One 4F' by 4th february, 'Protrakt Variable' by Arkitype, 'FF World' by FontFont, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Dark Sport' by Sentavio (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, retro, techy, sturdy, playful, impact, branding, modular geometry, friendly tech, blocky, rounded, compact, geometric, modular.
A heavy, compact sans with a rounded-rectangle (superellipse) construction throughout. Curves are squared-off and softened, giving bowls and counters a pill-shaped feel, while terminals are blunt and consistently rounded. The stroke is even and solid, with large, simple counters and tightly controlled apertures that keep forms dense and highly graphic. Uppercase shapes feel squat and poster-like; lowercase is similarly robust with simplified joins and minimal modulation, producing a uniform, modular rhythm across words and numbers.
Best suited to display sizes where its compact shapes and distinctive rounded-rect geometry can read clearly—headlines, branding marks, packaging, and bold wayfinding or storefront-style signage. It also works well for tech or gaming-themed graphics, badges, and short punchy statements where a strong, uniform texture is desirable.
The overall tone is bold and utilitarian with a distinctly retro-tech flavor—somewhere between industrial signage and arcade-era display lettering. Its softened corners keep it friendly, but the dense, blocky silhouettes read as tough, mechanical, and purposeful. The result feels confident and attention-grabbing without becoming sharp or aggressive.
The design appears intended as a highly legible, impact-driven display sans built from consistent superelliptical parts. By combining blunt, rounded terminals with dense proportions and simplified counters, it aims to deliver a modern-industrial look that stays approachable and visually cohesive across letters and figures.
Round characters (O, Q, 0) lean toward rounded squares rather than circles, and many counters echo that same geometry for strong internal consistency. The numerals are chunky and graphic with clear, stencil-like interior shaping, and the punctuation shown (e.g., question mark, apostrophe) matches the same squared-round logic.