Sans Superellipse Fymaf 9 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Judgement' by Device, 'FX Gerundal' by Differentialtype, 'Uni Neue' by Fontfabric, 'Movie Ticket JNL' by Jeff Levine, 'Bantat' by Jipatype, 'Crise SS' by Sensatype Studio, and 'Fluctuation' by Typodermic (names referenced only for comparison).
Keywords: sports branding, poster headlines, gaming ui, esports, product packaging, sporty, dynamic, techy, assertive, futuristic, impact, speed, modern branding, display emphasis, streamlined forms, rounded, blocky, oblique, compact, ink-trap-like.
A heavy, oblique sans with rounded-rectangle construction and tightly controlled curves that read as superelliptical rather than purely geometric. Strokes are thick and uniform, with clipped terminals and occasional angular joins that create a fast, engineered rhythm. Counters are compact and often rectangular, and several glyphs show small notch-like cut-ins that echo ink-trap behavior, helping keep apertures open at display sizes. Overall spacing and proportions feel built for punchy headlines, with sturdy silhouettes and minimal internal detailing.
Best suited to display typography where bold presence and motion are desirable: sports and esports identities, event posters, gaming or tech UI labels, and punchy packaging or merch graphics. It also works well for short taglines and logo-style wordmarks where its compact counters and rounded-rect geometry can carry a strong, modern signature.
The tone is energetic and forward-leaning, suggesting speed, momentum, and modern machinery. Its rounded, blocky forms keep it friendly enough for consumer branding, while the aggressive slant and tight counters push it toward performance and tech aesthetics.
The design appears intended to deliver maximum impact with a sense of speed, using rounded-rect geometry and a consistent slant to create a streamlined, performance-oriented voice. Its uniform stroke weight and simplified, sturdy shapes prioritize clarity and brand punch in large sizes.
The alphabet shows a consistent oblique angle across caps and lowercase, and the numerals follow the same squared-off, aerodynamic logic. Round letters (like O/0) look more like softened rectangles, while diagonals (like V/W/X/Y) emphasize sharp, athletic intersections. The overall color on the page is dense and commanding, favoring display impact over delicate nuance.