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Sans Superellipse Giduk 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Kelson' by Armasen, 'Broadside' and 'Broadside Text' by Device, 'Panton' by Fontfabric, 'Project Sans' by TypeUnion, and 'Motigen' by skillyas studio (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, sturdy, friendly, punchy, utilitarian, modern, impact, clarity, modernity, compactness, approachability, rounded, compact, blocky, soft corners, high contrast counters.


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A heavy, compact sans built from rounded-rectangle geometry with softened corners and mostly uniform stroke weight. Curves resolve into squarish bowls and counters (notably in O, C, G, and 0), giving the design a superelliptical, engineered feel. Terminals are blunt and flat, joins are crisp, and apertures tend to be tight, producing dense color and strong silhouette recognition. The lowercase is robust and simplified, with single-storey forms where applicable and short, sturdy extenders that keep the texture even.

Best suited to display roles where weight and compactness help carry a message—headlines, posters, logos/wordmarks, and packaging. It can also work for bold UI labels or signage where a sturdy, rounded-technical voice is desired, especially in short strings and large sizes.

The overall tone is bold and confident, balancing an industrial toughness with approachable rounded shapes. Its compact, softened forms read as contemporary and practical, with a slightly playful edge coming from the squarish curves and chunky proportions.

The font appears designed to deliver maximum presence with a controlled, geometric construction—combining squared-off rounds and blunt terminals to create a modern, durable display sans that stays friendly through rounded corners and consistent stroke behavior.

Round characters maintain consistent squareness across the set, and the figures mirror the same rounded-rectangle logic for a cohesive alphanumeric palette. The design’s tight counters and heavy mass create strong impact, especially at larger sizes, while the even rhythm helps maintain clarity in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸