Slab Rounded Seba 2 is a bold, wide, low contrast, upright, tall x-height, monospaced font visually similar to 'Courier New OS' and 'Courier PS' by Monotype, 'Courier' by ParaType, and 'Nimbus Mono L' by URW Type Foundry (names referenced only for comparison).
Keywords: code, ui labels, posters, packaging, signage, typewriter, industrial, friendly, sturdy, retro, practical clarity, retro utility, warm robustness, systematic texture, display emphasis, rounded serifs, soft corners, blocky, compact counters, even rhythm.
A sturdy slab-serif design with rounded, softened corners and an even, mechanical rhythm. Strokes are consistently heavy with minimal modulation, and the letterforms sit on strong horizontal bases with squared, slabby feet that read clearly at text sizes. The shapes are broadly proportioned with generous internal space for a heavy style, producing clear counters in letters like O, P, and e, while maintaining a compact, controlled feel in tighter forms like a, s, and z. Overall spacing and alignment feel uniform and disciplined, reinforcing a structured, grid-friendly texture.
Well-suited to situations that benefit from a strong, uniform texture: interfaces, dashboards, terminal-style displays, and code-oriented layouts. Its bold, rounded slabs also work well for short headlines, labels, packaging copy, and signage where clarity and a grounded tone are needed. In longer passages it creates a dense, steady color that can feel intentionally industrial or typewriter-like.
The tone blends utilitarian typewriter energy with a warmer, approachable edge created by the rounded terminals. It feels dependable and workmanlike, with a subtle retro character that suggests forms, labels, and practical communication rather than elegance. The bold presence adds confidence and emphasis without becoming sharp or aggressive.
Likely intended to deliver a bold, dependable slab-serif voice with softened edges, combining mechanical regularity with improved friendliness. The design prioritizes uniform rhythm, clear silhouettes, and robust shapes that remain legible and consistent in structured layouts and constrained columns.
The numerals and capitals maintain a consistent, no-nonsense silhouette, with clear differentiation between similar shapes (e.g., I, J, and 1) through pronounced serifs and distinct tops/bottoms. Curved letters show controlled rounding rather than calligraphic sweep, and the overall effect is crisp and highly regular.