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Free for Commercial Use

Sans Normal Bumat 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Shelf' by 21Type, 'Deja Rip' by Anatoletype, 'Halifax' by Hoftype, 'Niko' by Ludwig Type, 'Andulka Sans' by Storm Type Foundry, 'Plusquam Sans' by Typolis, 'Lisboa Sans Tamil' by Vanarchiv, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: ui text, body text, editorial, signage, presentations, clean, modern, neutral, friendly, functional, utility, clarity, versatility, neutrality, modernism, geometric, monoline, open apertures, high legibility, rounded counters.


Free for commercial use
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This typeface presents as a clean, geometric sans with monoline strokes and smooth circular/elliptical construction in the bowls and counters. Terminals are predominantly straight and crisp, with subtly rounded curves that keep the overall texture even. Uppercase forms are simple and balanced, while the lowercase maintains clear differentiation and steady rhythm; round letters like o, c, and e read as near-circular with open apertures. Numerals follow the same restrained geometry, with straightforward shapes and consistent stroke weight that supports clarity at a range of sizes.

It suits interface typography and general-purpose text where consistent rhythm and high legibility are important, and it can also perform well in editorial layouts and straightforward branding systems. The clear numerals and uncomplicated shapes make it a practical choice for navigation, labeling, and informational signage.

The overall tone is neutral and contemporary, leaning more toward functional clarity than expressive character. Its calm, orderly forms feel approachable and workmanlike, with a gentle friendliness coming from the rounded internal shapes and open apertures.

The design intent appears focused on a versatile, do-it-all sans that stays visually quiet while maintaining strong readability. Its geometry and restrained details suggest an aim for modern neutrality, making it easy to pair with more expressive type or graphic elements.

Spacing appears even and unforced in the sample text, producing a smooth grayscale without sharp dark spots. The design favors familiar, conventional letterforms over stylistic quirks, prioritizing consistent rhythm and straightforward reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸