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Free for Commercial Use

Sans Superellipse Ogban 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Broadside' by Device, 'Gubia' by Graviton, 'Borough Hall JNL' and 'Crimestopper JNL' by Jeff Levine, 'Gilkons' by Letterhend, 'Conthey Inline' by ROHH, and 'Propane' by SparkyType (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, retro, industrial, playful, techy, compact, impact, space-saving, logo-ready, geometric unity, rounded, blocky, squared, soft-cornered, punchy.


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This typeface is built from compact, rounded-rectangle forms with heavily softened corners and largely uniform stroke weight. Curves resolve into squared bowls and superelliptical counters, producing a sturdy, engineered rhythm with minimal contrast. Terminals are blunt and consistently rounded, and openings in letters like C, S, and G are tight, emphasizing density. The lowercase follows the same geometry with simple, single-storey constructions and short, straight joins, while figures are similarly squared-off and robust for strong presence in display sizes.

Best suited to headlines and short statements where its dense, punchy forms can deliver maximum impact. It works particularly well for signage, packaging, and brand marks that benefit from a sturdy, industrial voice with friendly rounding, and it can also serve UI or product labeling when used at generous sizes and spacing.

The overall tone feels retro-industrial and slightly playful, combining machine-like solidity with friendly rounded edges. Its compact, blocky shapes read as confident and utilitarian, with a subtle tech flavor reminiscent of mid-century signage and hardware labeling.

The design intention appears to be a bold, space-efficient display sans that fuses rounded-rectangle construction with a strong, sign-painterly presence. It prioritizes visual consistency and impact over delicate detail, aiming for a distinctive, easily recognizable silhouette in titles and branding.

Spacing appears intentionally tight and the internal counters are relatively small, which increases impact but can reduce clarity at smaller sizes. The design’s consistent rounding and squared curves create a highly unified texture across mixed-case text and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸