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Serif Flared Hagig 1 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Atlantica' by Jonahfonts; 'Naveid' by NamelaType; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Garbata' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports promos, retro, assertive, sporty, friendly, lively, impact, motion, display, personality, bracketed, flared, soft corners, ink-trap feel, tightly spaced.


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A heavy, right-leaning serif with strongly flared stroke endings and compact, wedge-like serifs that read as sculpted terminals rather than thin hairlines. The forms are broad and rounded with smooth curves, tight counters, and a slightly condensed interior rhythm that boosts density at display sizes. Joins and apertures feel deliberately softened, and several letters show subtle notches and cut-ins that add an ink-trap-like ruggedness without looking distressed. Numerals share the same weight and forward motion, with solid, simplified shapes built for impact.

Best suited to headlines, posters, signage, and brand marks where a dense, high-impact serif can carry personality. It can also work well on packaging and promotional graphics that benefit from a retro-leaning, energetic voice, especially when set in short phrases or punchy display copy.

The overall tone is energetic and confident, with a retro, headline-driven presence that feels sporty and promotional. Its chunky, flared detailing and buoyant italic slant give it a warm, friendly swagger while still reading bold and decisive.

The design appears intended to deliver maximum presence with a distinctly flared serif flavor, combining a bold display silhouette with softened, sculptural terminals for a lively, approachable effect. Its consistent forward slant suggests an emphasis on motion and emphasis in advertising and headline contexts.

The italic is integrated into the letter construction (not merely a slanted roman), so diagonals and curves carry a consistent forward tension. The texture is intentionally dark, and the tight counters and strong terminals favor short lines and large sizes where the shaping can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸