Script Have 10 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Chandler Mountain' by Mega Type, 'Eloque' by Prestigetype Studio, 'Conthey' and 'Interlaken' by ROHH, 'Core Sans NR' by S-Core, and 'Tolyer' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, social ads, retro, friendly, casual, bold, playful, impact, approachability, signage, branding, energy, rounded, brushy, upright slant, compact, soft terminals.
A compact, right-slanted script with thick, brush-like strokes and smoothly rounded terminals. Letterforms are built from simplified, high-ink shapes with gentle swelling through curves and a consistent, rhythmic forward lean. The lowercase shows mostly connected handwriting logic with clear entry/exit strokes, while the capitals read as bold, standalone forms that retain the same rounded, compressed proportions. Counters are tight and the overall texture is dense, producing strong, dark word shapes at display sizes.
This font works best for short, prominent lines such as headlines, logo lockups, packaging names, and promotional graphics where its dense stroke weight can carry impact. It also suits storefront-style messaging and bold pull quotes, but is likely to feel heavy in long passages or at small sizes.
The tone is lively and approachable, with a mid-century sign-painting feel that reads confident and upbeat rather than delicate. Its heavy, rounded forms give it a friendly warmth, making it well-suited to energetic messaging and casual branding.
The design appears intended to deliver a bold handwritten signature with the efficiency of compact proportions, prioritizing punchy legibility and a cohesive, brush-script rhythm. It aims to evoke classic painted lettering while keeping forms clean and consistent for contemporary branding use.
Spacing appears intentionally compact, reinforcing the solid, poster-like color on the page. Numerals are similarly weighty and rounded, designed to match the headline voice rather than a text-centric, highly differentiated set.