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Sans Normal Nodif 18 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Hando' by Eko Bimantara, 'Expline' by Formatype Foundry, 'Pais' by Latinotype, and 'Post Grotesk' and 'Touvlo' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, confident, friendly, contemporary, sporty, impact, modernity, clarity, approachability, brand presence, geometric, rounded, compact apertures, blocky, sturdy.


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This typeface is a heavy, geometric sans with broad proportions and a compact, dense rhythm. Strokes are consistently thick with minimal modulation, and curves are smooth and round, producing full bowls and sturdy counters. Terminals are clean and squared off, while joins stay crisp, giving the letters a solid, engineered feel. The lowercase shows a single-storey “a” and “g,” a short-shouldered “r,” and overall compact apertures that emphasize mass and legibility at display sizes. Numerals are similarly weighty, with rounded forms and firm horizontals that match the letterweight closely.

It performs best in display contexts such as headlines, posters, brand marks, packaging, and bold UI or signage elements where strong typographic presence is desired. The sturdy shapes and rounded geometry make it effective for sports, lifestyle, and contemporary retail applications, as well as attention-grabbing editorial callouts.

The overall tone is assertive and upbeat, combining a friendly roundness with a strong, no-nonsense presence. It reads as modern and energetic, suited to messaging that wants to feel confident, accessible, and impactful rather than delicate or formal.

The design appears intended to deliver maximum impact with a clean, geometric construction—pairing rounded forms with firm, squared terminals to keep the voice modern and readable. Its proportions and heavy color suggest a focus on display use where immediacy and confidence are priorities.

In text, the dense spacing and heavy strokes create a poster-like color on the page, with round letters (O, C, G, Q) feeling especially prominent. The design favors clarity and punch over openness, so short words and headlines maintain strong silhouettes and visual consistency.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸