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Free for Commercial Use

Slab Square Tote 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gimbal Egyptian' by AVP, 'FF Kievit Slab' by FontFont, 'CamingoSlab' by Jan Fromm, 'TheSerif' by LucasFonts, 'Modum' by The Northern Block, and 'Kheops' by Tipo Pèpel (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, confident, retro, sporty, assertive, editorial, impact, momentum, sturdiness, attention, slab serif, bracketed slabs, rounded corners, compact, punchy.


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A heavy, forward-slanted slab serif with broad, sturdy stems and soft, slightly rounded edges that keep the mass from feeling rigid. Serifs are substantial and mostly square-ended, with gentle bracketing that helps smooth joins and improves flow in the italic posture. Counters are moderate and openings are fairly tight, producing a dense, high-impact texture; curves are full and rounded while horizontals remain firm and weighty. The lowercase shows a compact rhythm with sturdy bowls and short-ish extenders, and the numerals share the same chunky, stable construction for consistent color in mixed text.

Best suited to headlines, short statements, and display copy where impact and motion are priorities. It can work well in branding and packaging, especially for products or identities that want a sturdy, athletic, or vintage-leaning voice, and for campaign graphics that need quick recognition at larger sizes.

The overall tone is bold and energetic, mixing classic slab authority with a lively, italic momentum. It feels sporty and promotional, with a slightly retro, poster-like confidence that reads as direct and attention-getting rather than delicate or formal.

The design appears intended to deliver a strong, attention-forward slab serif voice with italic drive, balancing blocky terminals with softened corners to keep the texture cohesive and approachable. It prioritizes bold presence and consistent heft across letters and figures for assertive display typography.

In longer samples the strong slant and heavy serifs create a pronounced rightward movement, so spacing and line length will noticeably influence readability. The shapes favor solid silhouettes over fine detail, making the design feel robust and headline-oriented.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸