Slab Square Tomo 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Boton' by Berthold, 'FF Marselis Slab' by FontFont, 'Kheops' by Tipo Pèpel, and 'Grifa Slab' and 'Pentay Slab' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial display, assertive, retro, sporty, punchy, playful, attention capture, retro display, athletic energy, compact impact, blocky, chunky, bracketless, ink-trap-like, compact.
This is a heavy, right-leaning slab serif with blocky, square-cut serifs and terminals. Strokes are thick and relatively even, with tight counters and compact apertures that give letters a dense, poster-like mass. The italic is constructed rather than calligraphic, keeping a sturdy rhythm while introducing a forward slant and slightly dynamic joins. Small notches and cut-ins appear at some joints and interior corners, adding crispness and improving separation in the densest shapes. Figures and capitals read especially strong, with broad shoulders and flat-ended details that reinforce the robust silhouette.
Best suited for large sizes where its dense forms and squared slabs can deliver maximum impact: headlines, posters, sports-themed branding, and bold packaging or labels. It also works well for short editorial display lines or pull quotes when you want a strong, lively voice rather than long-form text.
The overall tone is bold and energetic, with a distinctly retro, athletic flavor. It feels confident and attention-grabbing, leaning more toward display impact than quiet neutrality. The chunky slabs and forward slant add a sense of motion suited to headlines that need urgency and presence.
The design appears intended to combine the authority of a bold slab serif with the momentum of an italic, creating a compact, high-impact display style. The squared terminals and sturdy construction prioritize strong silhouettes and consistent weight, aiming for instant readability and a vintage-leaning, promotional character.
Spacing appears deliberately tight in the sample text, producing a dark typographic color and strong horizontal momentum. Rounded letters (like O/Q) stay stout and compact, while diagonals (like V/W/X) remain thick and stable, preserving an even weight across the alphabet. The numerals match the same heavy, block-first construction for cohesive headline use.